WHERE LOVE STILL WALKS SLOWLY

DATE

2025

CITY

JALISCO, MEXICO
Texts by Eduardo López Moreno®

In villages where Indigenous people still speak with the land, weddings are not events; they are acts of memory. No one remembers when the custom began, yet everyone knows the path must be walked, that the body must feel the distance between home and church, between childhood and promise. Here, marriage is not announced with fireworks but with slow steps, embroidered cloth, flowers cut at dawn, and a silence as heavy as an ancient prayer.

The bride walks first. She is not the queen of the day but its guardian. She wears her mother’s veil, her grandmother’s blouse, and carries the gaze of the girls following behind, learning—without knowing—that they are already saying farewell to what has not yet vanished. In every gesture there is a language not taught in schools: the language of things done because they have always been done this way.

 

The ritual begins before the ceremony. In the churchyard, bodies arrange themselves as if placed by an invisible hand that has been working for centuries. Men in white stand like custodians of a time that refuses to leave; women form a semicircle of color that denies any notion of mourning. There is no hurry. No one checks the clock. The present stretches like a long shadow over the nearby graves, where the dead watch the living remember how to gather.

Then the door opens and laughter bursts like an unexpected sacrament. The couple steps outside holding hands, not as those who escape, but as those who offer themselves. In their smiles cross fear and certainty, inheritance and doubt. They are not creating something new; they are accepting what others left unfinished.

These weddings are becoming rare. Modernity arrives as rented halls, online dresses, and songs that belong nowhere. This ritual—walking, waiting, accompanying, riding, embroidering—fades quietly, like a language no longer spoken.

Yet today it still happens in Jalisco, Mexico. Today a bride still walks slowly, a town still follows her, and a chain of gestures repeats itself not out of habit, but out of resistance.